Baddies are Best: My Top Three Supervillains of All Time

Ben Davis, YA author by day and superhero extraordinaire by night, shares his top three super villains of all time in celebration of his new series, Danny Dread.

Greetings! I’m Ben Davis – author, citizen, eater of pies – and I am here today to talk to you about my latest book, Danny Dread. It’s the swashbuckling story of a useless supervillain and his twelve year old son, who secretly wants to be a superhero.

I'm sure he'll grow out of it

I’m sure he’ll grow out of it.

Despite the embarrassing photo above, I’ve always been drawn to the baddies. When I was a kid in the playground, I would play the villain. I was the best at it. Kids would say, ‘Ben, you can be Silencio the Evil Wizard. His special power is sitting on his own in the corner quietly and not bothering us for the entire lunch break.’ And do you know something? I totally nailed it. Every single time.

Anyway, to celebrate the publication of Danny Dread, I have decided to share with you my all-time top three supervillains.

  1. The Penguin

Yeah, I could have gone for the Joker, but come on, that would be too obvious. Plus, Penguin is my favourite Batman villain. I think it’s because he does dangerous stuff and doesn’t care about the consequences.

I mean, look, he's opening an umbrella indoors. What next, walking under ladders?

I mean, look, he’s opening an umbrella indoors. What next, walking under ladders?

Another reason why he makes my top three is that he’s a psychotic criminal named after a completely harmless animal.

d3

Well, mostly harmless.

  1. My so-called best friend, Fat Barry

That’s right, Fat Barry – you are the second biggest supervillain of all time. How does it feel? You can’t say it hasn’t been a long time coming. I mean, remember my last birthday, when you got me NOTHING? Well, not nothing, it was just a scrap book filled with these really old photos of us when we were kids, but still, I bet it hardly cost you a thing. And after I got you that £5 Nandos voucher for your birthday, as well. Well, this year, you can forget it. This is your present, you evil, evil man.

  1. Dad Dread

Yeah, I’ve put my own character in at number one. Want to make something of it? Now you might be thinking that that is an incredibly boastful thing to do, and I’m only doing it so I can write ‘named best supervillain of all time by Oxford University’ on publicity materials, but hear me out.

DOWN WITH CAMBRIDGE!

DOWN WITH CAMBRIDGE!

Larry “Dad” Dread is the son of the fearsome Phileas Dread, world conqueror and now, head in a jar. Larry has spent his life trying to live up to his father’s reputation to no avail. His failed schemes have included kidnapping Donald Duck, and brainwashing all of the world’s sharks. With the latter, he failed to take into account the fact that their tiny fish brains meant that they would quickly forget that they had been brainwashed. And that is when they started to get bitey.

The book sees Larry take on a dastardly new assistant, and soon, his dreams of world domination are within his grasp. Only one person has the ability to stop him – and he is much closer to home than he thinks.

Hi!

Hi!

That is all from me – I will now return to my secret lair* to hatch some evil schemes of my own.** Goodbye!

* shed.

** hide all the stuff I “borrowed” from my so-called best friend, Fat Barry.

Danny Dread is out now.

Danny Dread

Ben2

Ben Davis studied English at University, which was quite easy because he was already fluent in that. Since then, he has written jokes for everything from radio shows to greeting cards and fulfilled a lifelong ambition by writing books for young adults. He now lives in Tamworth with his wife and his wimpy dog.

The A-Z of Railhead. K is for K-Bahn….

We are very excited to host a guest post from master storyteller Philip Reeve as part of his A-Z of Railhead tour!

K is for K-Bahn

Railhead

When I realised that interstellar trains were going to be at the heart of Railhead, one of the first things I did was look up teleportation, in the hope of finding some nifty way that a train could be flipped from one side of the galaxy to another. One of the first things I stumbled across was the concept of Kwisatz Haderech, or ‘the shortening of the way’. This is a concept from Jewish mysticism. Certain very enlightened rabbis, it was believed, were able to transport themselves supernaturally from one place to another…

 

To science fiction fans, Kwisatz Haderach has another connotation, because it’s one of the names given to the messiah figure in Frank Herbert’s classic space opera Dune. “I can’t use that,” I thought, “because everybody will think it’s a reference to Dune…” But after exactly 0.5 seconds of serious thought I decided I didn’t care: I liked the sound of those words; they were too good not to use. And the initial K seemed useful. I knew that in German-speaking cities there are often railway lines called the U-bahn and the S-bahn. My interstellar empire would be linked by the K-bahn, whose trains would go through K-gates and flash across a dimension called K-space to reach their far destinations.
 

Railhead is brought to you by the letter K…

 

Inspiration Station

Christopher Edge tells us about the inspiration behind his new book How to Write Your Best Story Ever! 

A bank-robbing banana being chased by a police pigeon, an accident-prone spy with the nickname Double Oh No!, a crime-fighting baby who googles for clues… These are just a few of the fantastic ideas that children have come up with when I’ve visited schools to talk about writing stories.

How to Write Your Best Story Ever

As a writer of children’s fiction, one of the most common questions I get asked is ‘Where do you get your ideas from?’  The answer is, of course, I go into schools and steal them. (Only joking!) But the creativity that children show when I work with them in writing workshops or chat to them after author events is truly an inspiration to me. When I was at school, I thought that books were made in factories and there weren’t any authors popping in to my classroom to reveal the secrets of the writing life. To me the idea of meeting a writer was as strange and exotic as the idea of meeting an astronaut. (Another childhood ambition, as yet sadly unfulfilled!) 274352_BEST_STORY_EVER_95_FINAL_APPROVED

Nowadays children’s authors such as J.K. Rowling and David Walliams are celebrities and with literary festivals popping up every other minute, the power of stories can be seen everywhere. But sometimes in schools, the pressures of tests and exams can squeeze the pleasure out of reading and writing. So when I go into schools as an author, one of my goals is to help banish the fear of the blank page and put the fun back into writing stories. I want to demystify the creative process and help every child realise that they can be a writer too. From inventing unforgettable characters to creating thrilling plots, I share tips and trade secrets, working with children to write their own action-packed adventures, spooky tales and amazing mash-up stories. 274352_BEST_STORY_EVER_26_64_dupe

And so when Oxford University Press got in touch about creating a book called How to Write Your Best Story Ever! I jumped at the chance of getting involved. Working with the brilliant team there and with illustrations from the fabulous Nathan Reed, we’ve tried to create the ultimate creative writing guide. There’s an avalanche of ideas and advice about writing a story from start to finish and hints and tips about how to write different types of story too, from thrillers and mysteries to animal adventures and comic book scripts. There are ‘Word Webs’ to help children find the right words for their story and inspire their own creative vocabulary, ‘Author says’ tips to help conquer any bad cases of writer’s block, and even a ‘Red Alert’ feature that gives the lowdown on any essential spelling, grammar and punctuation help  that the reader might need.

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One of my favourite features in the book, is the ‘Inspiration Station’ where children can read fantastic lines from brilliant authors such as Roald Dahl, Philip Reeve and Jacqueline Wilson to name but a few and use these as fuel for their own writing. Every writer is a reader and every reader can be a writer too. All you need is a book…

How to Write Your Best Story Ever!

Christopher EdgeChristopher Edge is the award-winning author of Twelve Minutes to Midnight, The Black Crow Conspiracy and many more books for children. A former English teacher, Christopher now works as a publishing and education consultant and visits primary and secondary schools across the country to inspire children as readers and writers. His books have been included in the Summer Reading Challenge, Bookbuzz and Read for My School programmes. How to Write Your Best Story Ever! is out now. Find out more about Christopher Edge at www.christopheredge.co.uk

What A Wonderful Song

Tim Hopgood, author and illustrator shares his love of Louis Armstrong’s world-famous song What a Wonderful World and takes us behind the scenes of making it into a picture book and getting it published.

One Father’s Day about five, six years ago my daughter gave me an old vinyl copy of Louis Armstrong’s rendition of What A Wonderful World. Before we go any further, I feel I should point out that the song was not actually written by Armstrong, but such is the magic of his recording that people seem to assume the song is his! The words were actually written by Bob Thiele and George David Weiss.

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I first heard the song when I was about six years old; it was played at school during assembly. It made a huge impression on me as a child, such a seemingly simple song, yet so powerful in that it goes straight to the heart with its message of hope and love. Listening to the recording once again, complete with vinyl crackles, I realized the song hadn’t lost any of its charm and it hadn’t dated, that’s the beauty of something so honest and simple. And there’s something about Armstrong’s gravelly voice that stops it being too sentimental, maybe that’s the reason his recording is the one everyone remembers.

So what’s the first song you’d want your new baby to hear? For me it has to be this song. It was for Chris Evans too. I remember he opened his afternoon show on Radio 2 with the song after his first son Noah was born. Wouldn’t it be amazing to capture the joy of that song, probably the most life-affirming song of all time and put it in a book?

trees_of_green

Think about it, the lyrics are so visual ‘I see trees of green, Red roses too’ it could work. And as a gift, what better gift book could there be than to give someone what is essentially a love letter to the world? A simple message of hope.

final_rough_swim_with_dolphins

When I first showed the roughs for the idea the initial reaction was that it was going to be too complicated to get permission to use the lyrics. I think I’m right in saying that there are three music companies which own the rights to the song, and they would all have to agree on the concept and the publishing terms. My editor at the time loved the idea, but from a publishing business point of view it wasn’t looking quite so wonderful. As a relative newcomer to the picture book market, having at the time only published two books, the chances of making the figures work looked unlikely. “One to put on the back burner” was the advice from my agent.

 

rough_trees_of_green

 

So that’s exactly what I did.  And then a few years later, I got a call from the commissioning editor at OUP, Peter Marley. Pete explained he was looking for gift book ideas and wondered if I’d be interested in working with him. I wasn’t exactly sure what the difference was between a picture book and a gift book, so he explained how gift books tended to have higher print production values than an ordinary picture book and that often they were based on classic titles that are given a new lease of life by a contemporary illustrator.

rough_faces_going_by

I think it was the word CLASSIC that jumped out at me. Something made me think immediately about my ‘Wonderful World’ idea and so I mentioned to Pete that I did have something he might be interested in, not based on a classic title, but a classic song instead.

rough_I_think_to_myself

When I look at the original roughs now it’s surprising how little has actually changed, surprising in a good way. Others may look at the roughs and see just a few scribbly lines, but to me the content and composition is all there, the journey and the pace of it all is pretty close to the finished book. My roughs are VERY rough, but the essence of what’s happening on the page is there.

I’m not someone who likes to produce very detailed roughs and then colour them in as it were.  For me the process is all much more spontaneous than that with each finished spread influencing the next. And so much of my work is about colour that often it’s hard for people to imagine the power and impact a spread will have until colour is applied.

yes_I_think_to_myself

So for example, my rough drawing for the horses spread, which is probably my favourite spread, doesn’t look that impressive, but in my head I knew it would work. The power of colour never ceases to amaze and excite me. So like the song itself, the composition is kept simple and direct.

p22_unpublishedI guess the main change to come out of the editorial process was the relationship between the boy and the bird. It’s much stronger in the final version, much more deliberate whereas in the original rough it is more incidental.

original_colour_test

I hope the book will introduce a whole new generation to the wonders of this song and that it will encourage parents and teachers to share its joy by singing to their little and not-so little ones. The project was a labour of love. A project that came about because all those involved at OUP wanted to make it happen as much as I did. It certainly wouldn’t have happened without them. I’m a great believer in things happening for a reason. Had the book happened earlier in my publishing career it wouldn’t be the book it is­­; by that I mean, it wouldn’t be quite so charming, quite so powerful, quite so wonderful. Thank you to everyone involved.­­­­ ­­­­­

 What a Wonderful World is out now.

What a Wonderful World

Tim

Tim worked for twenty years as a graphic designer and freelance illustrator before he began his career writing and drawing for children. He has a deep love of music, often he wears large headphones and blasts Miles Davis or Stevie Wonder while he paints and draws. He works mostly with Derwent sketching pencils, using digital layering methods to create his artworks. He now lives in North Yorkshire with his wife, two children and his cats.

Thrilling YA fiction

Two unique, thought-provoking posts by two unique YA authors. The first is Night Runner by Carnegie Medal-winning Tim Bowler and the second is Replica by Australian writer Jack Heath.

Writing Night Runner by Tim Bowler

 
9780192794147_NIGHT_RUNNER_CVR_AUG14Night Runner
 
is a fast-moving story and it came to me at a sprint. It’s about a fifteen-year-old boy called Zinny and the novel begins with him hiding in his room at home because he has truanted from school. But within just a few pages we discover that his father is abusive, his mother has a dark secret, and there’s a dangerous man trying to break into the house. A few pages later Zinny is running for his life. When I first started writing Night Runner, I had no clear idea of how the story was going to work out. All I knew for certain was that Zinny was in terrible trouble. But I was hooked and desperate to find out what would happen to him. What appealed to me about Zinny, what made me care about him, was his isolation. He has no one to depend on. He’s not just isolated at school, he’s isolated at home too, and even in his head: he’s cut off from his dreams and confused about what he really wants. He doesn’t have friends to help him and his mum and dad have huge problems of their own.

Night Runner is out now.

Should we profit from suffering? by Jack Heath

9780192737663_REPLICA_CVR_AUG14Good writing usually comes from a bad experience. Philip K. Dick couldn’t have written A Scanner Darkly, his novel about a DEA agent hooked on Substance D, if it weren’t for his own crippling drug addiction. The Makedde Vanderwall series by Tara Moss drew heavily on the abuse Moss had suffered as a young model. Bryce Courtenay wrote movingly about his son’s death in April Fool’s Day.

When a character experiences grief or rage the author takes advantage of his or her own experiences with these emotions, even if the circumstances were radically different. I was once violently ill on an aeroplane and found myself temporarily paralysed and unable to remember who I was. In the prologue of my novel Replica, Chloe Zimetski awakens with all her memories erased, trapped in the basement of someone who looks exactly like her. Chloe’s terror is convincing because of my own.
This raises an ethical problem. On the surface Replica is about an android who assumes the identity of her creator in order to investigate a murder. But thematically it’s about what we leave behind when we die. I was compelled to write it after several people close to me passed away.

And now I’m selling it.

Writing can be therapeutic. Sometimes putting trauma into words can help you understand it and let it go. And yet, if a surgeon removes a life-threatening tumour from your abdomen, is it appropriate to put the tumour up for auction? My gut says no, if you’ll pardon the pun.

But this is not a new argument. News sites use tragedy to sell ad space. The advertisers, in turn, profit from universal human feelings of inadequacy. 12 Years A Slave took the plight of African Americans in the 19th century and sold it as entertainment (Django Unchained even more so.) The salaries of police officers depend on the existence of crime. Necessity is the mother of invention, and misfortune is the father of necessity.

If I don’t sell Replica, I can’t afford to write more books. The readers lose. My grief doesn’t get less potent – just less useful. I suffered for nothing.

Perhaps it’s time we stopped asking the question, “Should we profit from pain?” Maybe we should be asking, “Can we afford not to?”

Replica is out now.

About Jack Heath
Jack Heath Ash Peak (2)Jack Heath was born in 1986 and started writing his first novel in high school. It was published when he was 19. He has since written several award-nominated books for teenagers, which are published all over the world. He lives in Canberra with his wife.

 

 

 

 

 

 

 

 

 

 

About Tim Bowler

Tim Bowler 2012Tim Bowler is one of the UK’s most compelling and original writers for teenagers. He was born in Leigh-on-Sea and after studying Swedish at university he worked in forestry, the timber trade, teaching, and translating before becoming a full-time writer. He lives with his wife in a quiet Devon village and his workroom is a small wooden outhouse known to friends as ‘Tim’s Bolthole’. Tim has written nineteen books and won fifteen awards, including the prestigious Carnegie Medal for River Boy. His books have sold over a million copies worldwide.

A perilous world for children…

Julia Lee, author of  The Mysterious Misadventures of Clemency Wrigglesworth examines the different types of childhoods experienced by the children in the Victorian setting of her new book The Dangerous Discoveries of Gully Potchard.

In my latest book, The Dangerous Discoveries of Gully Potchard, I got to plunge back into the perilous Victorian world of The Mysterious Misadventures of Clemency Wrigglesworth. (I have to take a deep breath even to type those long titles!)

Clemency Wrigglesworth

It’s a world where schooling is not a great priority. That might sound like fun, but in fact most children work for a living instead, as they do in my book. Their families need every penny they earn to feed themselves and keep a roof over their heads. Gully’s family, the Marvels, have links to the theatre and their children are lucky to have jobs that reflect that. Cousin Whitby is a dancer and dance-school assistant. Nine-year-old Impey has acted on the stage and hopes for greater things in future. Gully’s job is more mundane. He’s just a delivery boy, and wishes he had a special talent like his cousins. But they all share rather adult worries about money, whether they might lose their jobs, and how to find another.

 

9780192733696_DANGEROUS_DISCOVERIES_GULLY_POTCHARD_CVR_AUG14 (2)

Having so much independence and responsibility means that children are out and about all day, unsupervised by parents – so different from now. But that also means plenty of scope in my story for adventures and chance encounters, some exciting, some alarming. Bumping into an old school-mate is the start of a scary rollercoaster of events for Gully.

There’s one character who isn’t allowed out on her own – who isn’t allowed to do very much at all, in fact. Agnes Glass comes from a wealthy family. Although her life is comfortable she’s isolated and lonely. Her over-protective mother fusses about her health. Poor Agnes can only go outside on fine days and then she must be wrapped in blankets in a little pony-cart, led by a groom, going ‘at a sedate pace and only down the quietest streets’. Not much scope for adventure there! Until she decides to do something about it…

I’ve always loved those classic children’s books like Heidi and The Secret Garden where ‘sickly’ children manage to challenge the limitations imposed by illness or disability. So I had great fun helping to prise Agnes out of her narrow world and defy her mother. When she is thrown together with Gully and Impey, there’s quite a gulf between them and lots to discover about each other’s lives. Lots to discover about themselves, too, especially as the perils begin to pile up.

The Dangerous Discoveries of Gully Potchard is out now.

9780192733696_DANGEROUS_DISCOVERIES_GULLY_POTCHARD_CVR_AUG14 (2)

Julia LeeJulia Lee has been making up stories for as long as she can remember. She wrote her first book aged 5, mainly so that she could do all the illustrations with a brand-new 4-colour pen, and her mum stitched the pages together on her sewing machine.

Julia grew up in London, but moved to the seaside to study English at university, and has stayed there ever since. Her career has been a series of accidents, discovering lots of jobs she didn’t want to do, because secretly she always wanted to be a writer.

 

Julia is married, has two sons, and lives in Sussex.

 

 

Cakes in Space!

Greetings, space cadets! Philip Reeve reporting from the Reeve and McIntyre international space station (we built it out of some of Sarahʼs spare hats).

Yes, for our new book, Sarah and I decided to launch ourselves into outer space. Weʼve even had some space costumes made so we can be properly dressed when we do book events.
Picture 1

People often ask, ʻWhere do you get your ideas from?ʼ, but by the time youʼve gone all through the process of writing (and illustrating) a book it can sometimes be hard to remember where you started. I think the first idea for Cakes in Space came when I noticed that Sarah is really good at drawing aliens, and that got me thinking that we should do a space story. And then I thought it might be fun to start with an idea that felt quite cold and futuristic – a girl sets off on a long space voyage in a gleaming white starship. She and her family are off to live on a new planet, called Nova Mundi…

pic_2_novamundi_brochure

So I told that idea to Sarah – we always come up with our stories together – and we started discussing what might happen next. We decided that Astra and the other passengers would all be put into a frozen sleep while the ship makes its long journey. But something goes wrong, and Astra wakes up in the middle of the voyage, while everyone else is still asleep. That was the idea which the rest of the story grew around. (Not many of us have been aboard a starship, but we all know that slightly magical, slightly scary feeling of being the only one awake in the house.)

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What would Astra discover as she crept around the silent, sleeping ship? We didnʼt want her to be too lonely, so we invented a friendly robot called Pilbeam…

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And Sarah didnʼt want to be drawing just white corridors all the time, so we gave the ship an overgrown zero-gravity fruit garden…

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But there are problems, too. Thereʼs a bunch of aliens called the Poglites, whom Sarah has drawn wearing chimney-pot spacesuits. Theyʼve come to steal all the spoons…

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And, more worryingly still, the shipʼs food making machine, Nom-O-Tron 9000, has gone bananas and started baking batch after batch of KILLER CAKES. That was Sarahʼs idea, and once she suggested it, those cakes sort of took over the book.

pic_7_cakes

Will Astra be able to defeat the fearsome flapjacks, murderous muffins and beastly battenburgs? Youʼll have to read Cakes in Space to find out. But never fear – she has a SPORK, and sheʼs not afraid to use it!

pic_8_astra_spork

 

Cakes in Space is out now.

Cakes

And you can get Oliver and the Seawigs too!

Oliver and the Seawigs PB

cakesinspace-smallformatPhilip Reeve was born and raised in Brighton, where he wrote his first story at the tender age of five about a spaceman called Spike and his dog Spook. He is a talented illustrator and writer, and he has illustrated several titles in the Horrible Histories series.  Philip is best known for his multi award-winning Mortal Engines quartet, which won the Nestlé Children’s Book Prize, the Blue Peter Book Award, and the Guardian Children’s Book Award. Philip has also won the prestigious CILIP Carnegie Medal with Here Lies Arthur. Philip lives in Dartmoor with his wife Sarah and his son Sam.

Sarah McIntyre is a writer and illustrator of children’s books and comics. She once applied for a job as ship’s rigger, intending to run away to sea, but instead, she found herself studying Illustration at Camberwell College of Arts and graduated in 2007.

Sarah grew up in Seattle in the US and went to university in Philadelphia, where she studied Russian language and literature. She thought she wanted to be a journalist, and worked for a year at a newspaper in Moscow. One of her articles caused a huge scandal, and she ran off with a British diplomat named Stuart, who married her and took her back to London with him. She thinks he probably wasn’t a spy, but she is not entirely sure. She shares a studio with three friends in an old police station in Deptford, south London, (complete with cells!). You can visit Sarah’s website and blog at http://www.jabberworks.co.uk

 

Water Vole Watching

Tom Moorhouse, an ecologist at the University of Oxford’s Department of Zoology and author of the brilliant debut The River Singers (out now in paperback) shares his tips on finding and seeing water voles in their real habitat.

The River SingersWhen I talk to classes of children in schools, I always ask them the same question: “How many of you have seen a water vole?”. Usually a few hands go up – perhaps one in ten children, excited to describe their wildlife encounters. And that’s great. The thing is, though, that if I had asked a class that question in the 1980s (the parents of the current generation), perhaps a third of them would have raised their hands. And if I’d asked a class in the 1950s (the grandparents) the vast majority of hands would have gone up. Indeed, for children living in the 1950s seeing water voles was “normal”, a part of going for a walk by a river or canal. It’s difficult not to think that our children are missing out in some ways. The small joy of seeing water voles swimming in a river, doing their determined “doggy paddle”, is now a real rarity, not what it used to be: a common oh-that’s-lovely before carrying on with your day.

The good news is that there are still places you can go to watch wild water voles. Your local Wildlife Trust should be able to point you in the right direction. And if you find a suitable river try to get there early in the morning, or late as the sun is setting, and take an apple with you. Locate a pile of feeding sign or a latrine (chopped up piles of reeds or other stems, about 10cm long, or piles of droppings that look like black tictacs, both hidden at the base of the plants at the water’s edge) and leave ¼ of the apple nearby. If you’re lucky, and sit very patiently and still, a water vole will steal up to the apple and sniff it for a bit. Then it will either eat it, or grab it and scarper. Either way, the sighting will be worth it, I promise. And, of course, you’ll be helping to restore, in some small way, what was once a common experience.

 

The Rising, the sequel to The River Singers will be published in October.

The Rising

Tom MoorhouseTom Moorhouse lives in Oxford, where he enjoys the refreshing and perpetual rain. He is somewhere in his mid-thirties. This, he has discovered, means that small white hairs now grow out of his earlobes when he’s not looking.

He spends a lot of time climbing rocks. He used to play the trombone, but doesn’t any more. He is, without the slightest fear of contradiction, the world’s worst snowboarder. Ever. Tom also happens to be an ecologist, working at the University of Oxford’s Department of Zoology. As a child he devoured – not literally – just about any fantasy book going.

The Rising, the follow-up to his critically-acclaimed debut novel The River Singers, will be published in October 2014.

 

 

Islands and imagination

Julia Green, author of Sylvie and Star and Tilly’s Moonlight Fox gives us an insight into the inspiration behind her brand new book for younger readers, Seal Island.

I’ve loved islands as long as I can remember: I like the smaller, more intimate scale of an island, the way you can get to know it on foot, the sense of community found there, and the relationship with the weather, the sea and the rhythm of the tides. Recently I’ve re-visited the Hebrides, off the west coast of Scotland, and this is the setting for my new book for children, Seal Island.

north uist June 10 2014 004

My island is imaginary but based on these real places. I drew a map to show where everything happens in my story (I loved maps in books as a child).

 

mapThrough Grace’s story, I hope to bring a sense of this beautiful place to my readers, to share the pleasure of beachcombing, spotting seals, making friends and experiencing the freedom to play and explore. I researched real seals, but also read the old tales about Selkies – half seal and half person – and wove these into my story.

deer on allotment and North Uist 031

Grace learns about the island, about life and loss – there are some dramatic events after a storm – but I have tried overall to capture the summery feel of life on an island, the warmth of family and friendship, the rhythm of the sea and the wide starry skies.

Seal Island is out now.

Seal Island

Copyright Kim Green

Copyright Kim Green

 

Julia Green lives in Bath. She has two sons.  She writes fiction for children and young adults. She is the Course Director for the MA in Writing for Young People at Bath Spa University. Julia leads creative writing workshops for children and adults in a variety of settings, including festivals and schools and for the Arvon foundation. She has worked as an English teacher in school, as a lecturer in FE, Higher and Adult Education, as a tutor for young people not in mainstream school; she has also been a publicity officer, a sub editor for a publishing company and a library assistant at a medical school in London.

Countdown to publishing day!

Space travel! Toilet roll tubes! Moon-walking! Author/illustrator Richard Byrne counts down the journey to publication of his latest new picture book The Great Moon Confusion.

Way back in the late 1960’s and early 70’s, during the time of the great space race, just about every child I knew wanted to be an astronaut – and I was no exception. I spent many happy hours building Saturn V rockets out of toilet roll tubes, practising my moon-walking in the local park’s sandpit and performing Houston-we-are-go-for-launch style countdowns before I did just about anything.

Unlike my childhood heroes Armstrong, Aldrin and Collins, I never did become an astronaut, but still look up at the moon and stars with the same childlike wonder. So it’s not very surprising that I eventually created a picture book about the moon, rockets and suspicious-looking bears. Okay, the bear thing must have come from somewhere else.

So, how did The Great Moon Confusion get off the ground? Here’s my chance to sneak in another countdown…

10…

Did a doodle in my sketchbook…

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9…

…combined it with another doodle in my sketchbook…

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8…

… to spark off an idea for a new picture book – Who is stealing the Moon? Could it be those bandit bears? Or is it just a misunderstanding?

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7…

Refined the idea into a set of miniature storyboard-like sketches called thumbnails.

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Produced some studies to establish a style for each of the characters in the story.

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5…

Drew a full-size set of black and white roughs for every page of the book.

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Created the finished illustrations with a combination of hand-drawn and computer techniques.

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3…

Sent the illustrations to Oxford University Press for final production of the book.

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2…

Had a well-deserved cup of tea… and an idea for the next book.

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1…

LIFTOFF!

The Great Moon Confusion is published!

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The Great Moon Confusion is out now.

Great Moon Confusion PB

R_Byrne_portrait_1

Born in a hospital. Brought up in Brighton. Learned to colour-in in Eastbourne. Worked in graphic design. Worked in Brighton, London, Manchester and Yorkshire Hills. Worked for myself.

Met Philippa somewhere along the way. Had two children. Had the mid-life crisis. Bought my first guitar. Got the urge to create a children’s book. Got an agent. Got a book deal. Got another book deal.

Richard now lives in Chichester so that he can be closer to family, old friends, the coast, and the equator.

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